Abdul Shakoor · how to make AI video that doesn't look like AI stop asking for perfect.. p…

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how to make AI video that doesn't look like AI stop asking for perfect.. prompt the mistakes a real person makes with a phone full breakdown, every prompt included 👇 Character sheet: Prompt: Professional character reference sheet, three full-body panels side by side on one wide 16:9 canvas, same woman in all three, identical scale, identical lighting, feet aligned on the same ground line, each panel labeled small at the bottom: FRONT, SIDE, BACK. IDENTITY (lock exactly from Image 4): woman in her early 20s, fair warm skin with a natural sun-kissed tone, soft oval face with high cheekbones and a gently defined jaw, striking light green-grey eyes, straight softly arched brown brows, straight refined nose, full natural pink lips, a light dusting of freckles across her nose and cheeks, small gold hoop earrings. Long wavy light-brown hair with sun-bleached golden-caramel strands, pulled back into a loose, messy low bun at the nape, with long face-framing curtain strands and soft wispy flyaways falling past her cheeks. No fringe or bangs. Calm, neutral, relaxed expression. Preserve her exact facial structure, eye colour, freckles and proportions, no beautification, no changes. BODY: slim, natural feminine build, average height, relaxed natural posture, soft natural shoulders and arms. WARDROBE (lock from Images 2 and 3): light sage-green paisley halter dress in a soft silky fabric, cream and olive paisley print, a deep V neckline, fabric ties gathered at the back of the neck, fitted softly at the waist, falling in a loose flowing A-line skirt to mid-calf with natural drape and movement. Open back, bare from the shoulder blades to the waist. Two thin delicate gold chains layered at the neck, each with a tiny gold cross pendant. Barefoot, natural bare feet. No belt, no rings, no bag, no sunglasses, no logos. PANELS: FRONT: facing camera straight on, arms relaxed at her sides, weight even on both feet, looking directly into the lens, V neckline, necklaces and hoop earrings clearly readable. SIDE: full 90-degree right profile, arms relaxed, clean silhouette showing the halter neckline, the drape of the skirt, the low bun and the line of her nose and lips. BACK: facing directly away, arms relaxed, showing the halter tie at the back of the neck, the open back, the messy low bun with loose strands, and the flow of the skirt to the hem. LIGHTING AND BACKGROUND: plain seamless warm light-grey studio backdrop, soft even diffused key light from the front with gentle fill, very soft shadow at the feet, no harsh contrast. Slightly warm natural colour, subtle fine film grain for realism. REALISM: photorealistic, visible skin texture and pores, natural freckles on face and shoulders, individual flyaway hairs, real silky paisley fabric with natural folds and weight, fine gold chain detail, sharp focus across all three panels, 8K, true-to-life proportions, no stylisation. Avoid: changing her face between panels, fringe or bangs, different outfits per panel, shoes, extra accessories, cartoon or 3D render look, dramatic or fashion poses, cropped feet or head, text other than the three small labels. First frame image: upload both character sheet and use this prompt Prompt: REFERENCE MAP: Image 1 = the man's exact face, hair, build and wardrobe. Image 2 = the woman's exact face, eyes, freckles, hair colour and texture. Image 3 = composition, light, colour and film look. Preserve both identities exactly, no beautification, no face changes. Only these two people in the frame. A candid, sun-drenched travel photograph taken from inside a gondola gliding down a narrow Venetian side canal, shot on an old compact 35mm film camera, eye-level and slightly low, a real summer memory caught mid-moment. THE WOMAN (identity from Image 2): early 20s, soft oval face, light green-grey eyes, straight defined brows, full natural lips, light freckles across her nose and cheeks, small gold hoop earrings. Long wavy light-brown hair with sun-bleached golden-caramel strands pulled back in a loose messy low bun, long face-framing curtain strands and flyaways falling across her cheek and lifting in the breeze. She sits alone on the red brocade gondola seat in the left and centre of the frame, body facing camera, head turned over her right shoulder in near-profile, chin lifted, eyes drifting toward the canal ahead, a soft private half-smile, unaware of the lens. Light sage-green paisley halter dress with a deep neckline and silky drape, two thin gold chains with tiny gold cross pendants. Her left hand raised near her shoulder holding dark tortoiseshell sunglasses by the temple arm, dangling from two fingers and catching the sun. A dark knitted shawl draped behind her on the seat. THE MAN ROWING (identity and wardrobe from Image 1): late 20s, light olive skin, short dark brown hair with a soft side-swept quiff, thick dark brows, warm brown eyes, short trimmed dark beard and moustache. Washed dark navy linen shirt, top two buttons open, sleeves rolled to the forearm, pale cream linen trousers. He is the one rowing: standing at the stern on the right side of the frame, both sun-tanned hands gripping the long wooden oar mid-stroke, forearm tendons visible, the oar cutting diagonally across the right of the composition. Seen from the waist up, face visible near the top right, head tilted slightly down, eyes resting on her with a quiet warm half-smile, slightly softer in focus than her so she stays the hero. ENVIRONMENT: a breathtaking narrow canal, honey-ochre and faded peach plaster facades, sun-warmed exposed brick, dark green shutters, balconies spilling red geraniums and trailing ivy, a small white stone footbridge arching over the water in the distance, a sliver of bright hazy sky above. Clear jade-turquoise water glittering with golden sparkles, ripples throwing dancing reflections up the walls. Gilded brass gondola ornaments glowing warm in the foreground. LIGHT: bright late-morning sun streaming down the canal from behind, warm golden backlight rimming her hair, flyaways, cheekbone and shoulders, and edging his hair, beard, shoulders and forearms. Soft warm bounce from the water onto both faces. Airy and luminous, highlights softly blooming, sky washing to creamy haze, no harsh shadows. FILM LOOK: warm nostalgic film snapshot, scanned Kodak Gold 200 feel, sun-kissed peach and honey cast, palette of ochre, terracotta, dusty rose, sage, cream, navy and turquoise. Lifted soft shadows, gentle contrast, soft halation, subtle vignette, fine organic grain, slight corner softness. REALISM: photorealistic, visible skin texture and pores, natural freckles, dewy sheen on her collarbone, glowing individual hairs, silky paisley drape, real linen creasing on his shirt, brocade and velvet texture, wood grain on the oar, water droplets on the black lacquered hull. Shallow depth of field, background melting into warm blur. Unposed, intimate, beautiful documentary feel. Avoid: a seated man, a gondolier in a striped shirt, any third person, changing either face, fringe or bangs on her, him looking at the camera, cold blue tones, digital HDR, plastic skin, oversaturation. Men charcter sheet Prompt: Photorealistic male character reference sheet, wide 16:9 layout with three equal full-body panels: FRONT, SIDE, BACK. Same man in every view, identical proportions and outfit. Young adult with light olive skin, short dark brown hair, thick brows, trimmed beard and moustache. Wearing a dark navy linen button-up shirt with sleeves rolled to the forearms, cream linen trousers, and beige suede loafers. Neutral relaxed posture, arms at sides. Plain warm light-grey studio background, soft even lighting, realistic skin and fabric texture, clean production reference style, no pose variation, no character drift. Second frame Image: Uploade both charcters sheet with this Prompt: REFERENCE MAP: Image 1 = the man's exact face, hair, build and wardrobe. Image 2 = the woman's exact face, eyes, freckles, hair colour and texture. Image 3 (the gondola photo) = her dress, necklaces, the gondola, the canal location, light, colour and film look. Preserve both identities exactly, no beautification, no face changes. A spontaneous, unposed moment at a quiet Venice canal landing, a real summer memory caught half a second before anyone noticed the camera. The black lacquered gondola has just pulled up alongside worn, curved travertine steps rising out of clear jade-turquoise water. Weathered sun-warmed brick embankment, soft green moss along the waterline, dark wooden mooring poles, a low white stone arched bridge behind, and honey-ochre and faded peach plaster facades with dark green shutters and red geraniums spilling from the balconies, all softening into a warm creamy haze. THE MAN (identity and wardrobe from Image 1): late 20s, light olive skin, short dark brown hair with a soft side-swept quiff, thick dark brows, warm brown eyes, short trimmed dark beard and moustache. Washed dark navy linen shirt, top two buttons open, sleeves rolled to the forearm, pale cream linen trousers, beige suede loafers. He stands on the second step above the water, leaning forward with his weight on his front foot, his right hand extended down toward the boat, sun-tanned forearm with tendons visible. His eyes are on her feet and the step, a quiet attentive half-smile, protective and easy, not posing. THE WOMAN (identity from Image 2): early 20s, soft oval face, light green-grey eyes, straight defined brows, full natural lips, a light dusting of freckles, small gold hoop earrings. Long wavy light-brown hair with sun-bleached golden-caramel strands pulled back in a loose messy low bun, long face-framing curtain strands and wispy flyaways falling across her cheek. She wears the same light sage-green paisley halter dress with a deep neckline and soft silky drape, and two thin gold chains with tiny gold cross pendants. She is rising from the gondola's red brocade seat mid-step, one bare foot reaching toward the sunlit stone, her right hand resting lightly in his, fingers relaxed and elegant, her left hand gathering her skirt clear of the water. Head tilted down, eyes lowered to the step below, lips softly parted, completely absorbed in the movement and unaware of the camera. In the background at the stern, the gondolier stands soft and out of focus, cropped at the shoulders, navy-and-white striped shirt, one hand on the long wooden oar. CAMERA: shot from the opposite bank on an old 50mm film camera at f/2.2, eye-level, slightly loose handheld framing, the gilded brass bow ornament and a glittering sliver of canal soft in the foreground, both figures sitting in the right two thirds of the frame, their joined hands the quiet centre of the image. LIGHT: bright, warm late-morning Venetian sun streaming in from behind-left, golden rim light along her hair, flyaways, cheekbone, shoulders and bare legs, and along the edge of his shoulder, forearm and beard. Sunlight bouncing off the water into rippling gold-green reflections that dance across the stone steps and up onto her legs and jaw. Soft gentle shadows beneath the dress folds and the joined arms, cool soft fill in the shaded brick, highlights blooming gently, sky washing out to creamy white. FILM LOOK (match Image 3): warm nostalgic film snapshot, scanned Kodak Gold 200 feel, sun-kissed peach and honey cast, palette of ochre, terracotta, dusty rose, sage, cream, navy and turquoise. Slightly lifted soft shadows, gentle contrast, soft halation around the highlights, subtle vignette, fine organic grain, natural lens falloff and slight corner softness. REALISM: photorealistic, visible skin texture and pores, natural freckles, a faint dewy sheen on her collarbone, individual glowing hairs catching the light, real linen creasing and wrinkles across his shirt and trousers, suede texture on his loafers, the natural weight of the silky dress draping over her hand, damp dark stone at the waterline, velvet and brocade

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